Thursday, Apr 29, 12 AM

From the Fat Man to Mahalia: James Michalopoulos’ Music Paintings.

From the Fat Man to Mahalia: James Michalopoulos’ Music Paintings. The New Orleans Jazz Museum At The Old U.S. MintApril 29, 2021James Michalopoulos, New Orleans’ most recognized living artist, conjures the moods and syncopation of jazz in an exhibition atthe New Orleans Jazz Museum. This retrospective will span the artist’s most recent paintings of street musicians to rarely seen works, loaned fromprivate collections across the United States–including the original painting for the Jazz Fest poster of Louis Armstrong, which hasn’t been in Louisiana in over 20 years. The exhibit will run through January 1st 2022.“Mywork tends towards the expressionistic. It is gestural, energetic, and colorful. I think there is a quality of movement in most of it. This is dueto my ability to sense the pulse of people and objects. I love the lyricthat life can be: off-kilter, chaotic, and colorful, a kaleidoscopic unfolding. I try not to interpret too much because I believe it stifles thework. The picture is a boogie and I’m the boogie man. I am a medium for aninspirational circumstance. I’m on the lookout for the enlivening,” explained artist James Michalopoulos.“We are excited to work with James Michalopoulos on this exhibition.  James brings a unique perspective that is quintessentially New Orleans,” said Greg Lambousy, Director of the New Orleans Jazz Museum.  “The exhibition will pair his music-themed paintings with instruments and other objects from our collections, exploring connections between the visual arts and music and illuminating the vibrant music scene in the lower French Quarter, a vibrancy that will return in time.”Exhibit curator David Kunian elaborates: “James Michalopoulos’s paintings ofthe icons of New Orleans show his understanding of their characters and style: Mahalia Jackson losing herself in song, Allen Toussaint’s uncontained grin depict an appreciation and love for both the musicians as well as the music. This love extends to his portraits of the nameless musicians onthe street or in the corners of the music clubs of the city.  The exuberance of music making is what this exhibit is all about.”